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MSRP US$8.99/�6.49/EUR7.99

If you enjoy this book, check out Vol.2 which is available on Amazon. Simply search by the ISBN - 1944119248

Ready to relax and get creative? Explore the 50 all-original geometric designs in various styles to help you relax and find your creative side.

Who said you had to color objects like landscapes, flowers and animal to enjoy coloring? Striking and beautiful results can be achieved with the creative and imaginative use of color on these geometric patterns. You will be truly surprised at how you will be able to bring them to life.

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• Sales Rank: #87100 in Books
• Published on: 2015-09-17
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .24" w x 8.50" l, .59 pounds
• Binding: Paperback
• 106 pages

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• Sales Rank: #10480321 in Books
• Published on: 1987
• Binding: Paperback

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Gateways to World Literature presents a fresh and diverse range of the world’s great literature in a two-volume set�that� links past and present, East and West, and literary and cultural contexts at an affordable price.� The anthology includes epic and lyric poetry, drama, and prose narrative, with many complete works and a focus on the most influential pieces and authors from each region and time period.� Engaging introductions, scholarly annotations, maps, pronunciation guides, and illustrations developed by a distinguished editorial team provide a wealth of materials that support and illuminate the selections.

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• Sales Rank: #272981 in Books
• Brand: Brand: Longman
• Published on: 2011-12-24
• Original language: English
• Number of items: 1
• Dimensions: 8.90" h x 1.20" w x 6.30" l, 1.85 pounds
• Binding: Paperback
• 1232 pages

Features

• Used Book in Good Condition

From the Back Cover

Compact yet complete – and always at a reasonable price!

�

For more than 60 years, instructors and their students have looked to Penguin trade paperbacks for state-of-the-art scholarship, accessibility, and fair prices.� Longman, in partnership with Penguin Group U.S.A., aims to meet those same expectations with textbooks in our series Penguin Academics.�

�

We’ve created the Penguin Academics series with ease of use in mind – the books are conveniently portable and highly readable, with engaging typefaces and interior designs.� Concise yet thorough in their coverage of the basics, Penguin Academics titles are ideal for use either by themselves or in combination with other books.� A list of related Penguin paperbacks can be found at the back of this and every Penguin Academics title.�

�

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Gateways to World Literature presents a fresh and diverse range of the world’s great literature in a two-volume set�that�links past and present, East and West, and literary and cultural contexts.��

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Volume One features major works by literary masters from the ancient world through the early modern period – Homer, Sappho, Sophocles,�Shikibu, Dante, Chaucer,�Cervantes, Shakespeare–this concise anthology combines comprehensive coverage of key works of the Western literary tradition and the best core, enduring works of the literatures of China, Japan, India, the Middle East, Africa, and native Americas.�

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See also:

Gateways to World Literature , Volume 2.� The second book in this two book series, Gateways to World Literature, Volume 2, features major works by literary masters from the 17th through the twentieth century.

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Penguin Paperbacks.� A variety of Penguin paperbacks are available at a significant discount when packaged with either volume of Gateways to World Literature.� See the end of this book for further details.�

About the Author

David Damrosch is Professor of Comparative Literature at Harvard University. He is a past president of the American Comparative Literature Association, and has written widely on world literature from antiquity to the present. His books include What Is World Literature? (2003), The Buried Book: The Loss and Rediscovery of the Great Epic of Gilgamesh (2007), and How to Read World Literature (2009). He is the founding general editor of the six-volume Longman Anthology of World Literature, 2/e (2009) and the editor of Teaching World Literature (2009).

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The “plank-on-frame” method is the pre-eminent ship modeling technique, and this practical manual is the foremost guide to its intricacies. Taking as his example the two-masted sloop Cruiser of 1752, the author leads the shipwrights through every stage of building a model of the vessel, from preliminary research and taking off lines to the actual construction of the hull, fittings, masting, and rigging. Each step is illustrated with explanatory line drawings and photographs.

�

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• Sales Rank: #2609231 in Books
• Published on: 2009-09-01
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: .45" h x 7.30" w x 9.50" l, 1.16 pounds
• Binding: Paperback
• 192 pages

About the Author
The late Ron McCarthy had been a professional modelmaker since leaving school at the age of 14. His first job during the Second World War was building 100ft-to-the-inch Admirally recognition vessels. He was also a member of the team which built the model of the Mulberry Harbour. After the war he worked for a number of years building shipbuilders' models. He built many sailing ship models and was a regular contributor to the journal Model Shipwright.

Most helpful customer reviews

8 of 8 people found the following review helpful.
Wonderful book - but not necessarily for the novice
By John S. Reid
Anyone considering this book is obviously experienced in, or interested in, building models of sailing ships. Those who are already experienced in building sailing ship models will likely have the necessary background to appreciate this well-written tome. It is clear and concise in describing a plank-on-frame build of a very modest scale (approx. 14 inch hull length) model of a 1752-era British frigate (the Cruiser). The author presents the build exercise in a very approachable (and not at all intimidating) manner.
However, for those who are not experienced model ship builders, this can still be a very good book, provide you have some background. To wit:
Models of sailing ships consist of essentially three different types: (i) solid hull, in which a solid block of wood is used for the hull; (ii) plank-on-bulkhead (POB), in which the hull is formed from solid wall bulkheads spaced apart along the length of the ship, and the planking is applied over the outer surface of the bulkheads (and most suppliers of wooden model kits provide this type of construction); and (iii) plank-on-frame (POF) construction, wherein the hull is formed from "U" and/or "V" shaped "frames" that are spaced apart along the length of the ship, and the planking is applied over both the outer and inner surfaces of the frames. POF construction is nearest to the "real thing". Pretty much POF construction of a ship model is for the purist, since a fully planked POF model is nearly indistinguishable in external appearance from a POB model. But if your goal is not just to build a ship model, but to replicate the original build experience (in scale), then POF building is the way to go. That said, this book is a "must read" for any ship modeler wanting to get into POF model ship building. HOWEVER: the author does assume some familiarity on the part of the reader with wooden sailing ship construction and ship terms. To that end, for the novice I highly recommend supplementing this book with the following books (as regards hull construction - rigging is a whole different subject): (i) Building the Wooden Fighting Ship (by James Moore); and (ii) A Sea Of Words (by Dean King). The former text is a description of how wooden sailing ships were actually built - an essential understanding for any model ship builder regardless of the type of model construction you wish to undertake. (And I would recommend reading this book first.) The latter text is a lexicon of ship terms you will need to know in order to appreciate Building Plank on Frame Ship Models, and indeed any model ship building exercise.
Regarding the author (Ron McCarthy), he built ship models professionally for 56 years, so he knows what he's talking about.
So, if you are an experienced model shipbuilder wanting to move from POB to POF construction, this is a great book by itself. But if you are a novice model shipbuilder wanting to gain a fuller understanding of the building of sailing ships (and models thereof), this book (while still a great read) will need to be supplemented with some additional reading in order for you to fully appreciate the book. In any event, for the dedicated builder of model sailing ships, this book is an essential tome to add to your library.

6 of 6 people found the following review helpful.
Building Plank on Frame Ship Models
By Wayland Lee
This is an excellent book. However, this is for advanced model builders with experience building from scratch, not from a kit. This book is not for the beginner. Excellent drawings and photos describing the author's methods and techniques.

5 of 5 people found the following review helpful.
Wooden Ship Models
By Ian A. Umbach
A very thorough book of instruction but lacks a definition of the technical terms used throughout.

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• Sales Rank: #13670038 in Books
• Published on: 1890
• Binding: Hardcover

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[F119.Ebook] Ebook Shadow Type: Classic Three-Dimensional Lettering, by Steven Heller, Louise Fili

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Designers often look to the past for ways to enliven their projects. Letters with relief and shadow have long been an effective way to add spectacle or intrigue to otherwise mundane words. Introduced in metal type as early as 1815, shadow typefaces were a form of early experimentation among type founders. In the late nineteenth century, the form was adopted in wood type for use in posters and has been embraced ever since by designers looking for ways to communicate a sense of monumentality, a feeling of confidence, or a simple impression of optimism. Shadow Type presents a broad spectrum of examples—advertising, shop signs, billboards, posters, type-specimen books—featuring the most popular, rare, and (nearly) forgotten dimensional letters from Europe and the United States. Compiled by the leading historian of graphic design Steven Heller and renowned graphic designer Louise Fili, this invaluable collection, packed full of typographic ideas, will inspire anyone aiming to give more depth to their design.

• Sales Rank: #1393134 in Books
• Published on: 2013-09-10
• Released on: 2013-09-10
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 1.25" w x 7.25" l, 2.90 pounds
• Binding: Hardcover
• 350 pages

About the Author
Steven Heller is cochair of the MFA Design Department at the School of Visual Arts and the author of numerous books, including our bestselling Typography Sketchbooks.

Louise Fili is director of Louise Fili Ltd, a New York-based design studio specializing in logo, package, restaurant, and book design. Formerly senior designer for Herb Lubalin, Louise Fili was art director of Pantheon Books from 1978 to 1989, where she designed close to 2000 book jackets. Fili has taught and lectured on graphic design and typography, and her work is in the permanent collections of the Library of Congress, the Cooper Hewitt Museum, and the Biblioth�que Nationale. She is a member of the Art Directors Hall of Fame, and received the medal of lifetime achievement from the AIGA.

Fili is the author of Elegantissima, published by Princeton Architectural Press. She has also written The Civilized Shopper's Guide to Florence and co-authored Italianissimo. With her husband, the design historian Steven Heller, she is co-author of Italian Art Deco, British Modern, Dutch Moderne, Streamline, French Modern, Deco Espa�a, German Modern, Design Connoisseur, Counter Culture, Typology, Stylepedia, Euro Deco, Scripts, and Shadow Type.

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10 of 10 people found the following review helpful.
Deliriously pleasurable eye candy for graphic artists!
By david lincoln brooks
Graphic artists await with bated breath any new book by Dr. Heller and Ms. Fili... Their books are just exquisitely, knowledgeably compiled worlds of eye candy, vivid history and inspiration.

SHADOW TYPE: CLASSIC THREE-DIMENSIONAL LETTERING is another fabulous gem from these creative people: It is a lavishly illustrated compendium of a kind of treatment given to lettering and type, in the scope of this book, from the Victorian age, through Art Deco/Style Moderne, through Streamline; roughly the period of 1890---1955.

Letterforms are given a bold, three-dimensional quality as if they have been extruded into blocky forms-- the sides of these letters given a realistic shading/modeling--- then shadowed dramatically as if raked from some unseen oblique light source.

Nowadays, 3D softwares can readily create these kinds of letter treatments, but this book chronicles a time when this 3D modeling was done entirely as an illusion created by hand.

As Heller/Fili often do in their books celebrating the best of 20thc letter and poster and ad treatments, SHADOW TYPE is chaptered by how different nations employed the style in their own idiosyncratic way: American, Italian, French, German, British, then by other countries.

Americans my age-- I am 50--- will almost certainly recognize this kind of shadowed 3D lettering from the opening and closing titles of Hollywood movies of the 20thc, most prevalently during the 1930's and 1940's; something about the long dramatic shadows of this treatment is especially well-suited to the Film Noir genre.

SHADOW TYPE is a cornucopia of inspiration for modern graphic artists, designers, illustrators and signpainters...(Restaurateurs and menu designers, too) and for lovers of Art Deco, Midcentury and Streamline design.

As is often the case with the fine books of Heller & Fili, the book contains a concise, informed explanatory/historical text... followed by wall-to-wall, full-color illustrations. Their books are just all-eyecandy-all-the-time. Such a joy to peruse. It is apparent that the authentic period samples for this book have been painstakingly color corrected, so their printed versions included here are razor sharp, showing the saturated, wonderful vintage colors exactly as they appeared when new. The paper stock is rewardingly heavy, with a semigloss coating, showing off the designs as the treasures that they are.

Heller & Fili also designed the book with "full bleed" on the picture pages; no white borders intrude upon the vivid closeups of these styles; The authors want the reader to be swimming in beauty, not coldly appraising these styles intellectually.

We tend to think that "everything has improved" in modern times, with modern technologies and sensibilities; yet the wonderful, smart, stylish, hand-rendered examples presented in this book show that modern designers could do very well to study the disciplines of the past... starting with the books of Heller & Fili.

Highly recommended.

10 of 11 people found the following review helpful.
What a relief
By Robin
A treat for type fans with page after page of three-dimensional lettering. This is the real thing too, not that tacky offset by a few points stuff that any pc can do. The contents come from the US, Italy, France, Germany and Britain as actual printed samples or type book pages.

Nicely Heller and Fili have extended their selection beyond printed matter by including lettering from shop fronts, packaging and movie credits. Actually this last selection could well be another book for Heller: Hollywood credit types. Three-dimensional type was very popular for titles and credits from the thirties to the fifties. The book has thirty-six examples, unfortunately only over three spreads, which make them slightly too small to appreciate the beauty of this type style.

Each page shows type that is worth studying. On page sixty-five a 1938 advertisement for Mitten's Display Lettering, a stick-on three dimensional type for exhibition stands, is cleverly revealed by lighting the letters at a low angle and creating a black shadow. Page forty-seven shows a 1910 Fulton Printing Outfit for children and produced by an outfit that had a hazy awareness of letter frequency: it only has five E's but five Q's, X's and three Z's. Page 237 has a stunning Art Deco book cover with shapes and lettering in 3D. The British chapter shows Stevenson Blake's unusual Shadow Sans, a type which is just a thick shadow, turn over the page and it shows it as colored type with the thick black shadow working beautifully.

The book is well produced using a good matt art paper. All the graphics bleed which nicely creates a sort of type specimen book look. If you are interested in printed ephemera featuring type and shadow styles in particular this is your book.

2 of 2 people found the following review helpful.
A wonderful collection
By rhinestonelife
I am so pleased to have purchased this book. It is full of page after page of inspiring work. It's like a google image search for vintage ephemera, printed and bound - only you get 100% accuracy in your search results! The cover makes it seem like it's all going to be a singular era of shadow type, but inside covers many eras and styles that make use of this. I actually had never noticed so much shadow type in the vintage graphics that i love until I saw many of those examples in this book - like the ubiquitous french credit receipt. If you are inspired by a blast of visual examples (instead of instruction or scientific/detailed histories) you will love this 1-1/2" tome.

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